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Apan Singhal
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"The Anand Kumar story can take these stylistic flourishes because it goes beyond the usual underdog story. You may feel the Lallan Singh character is too much of a 'villain,' but at the end, a note tells us that the real-life Anand Kumar is still receiving death threats. Al.. moreso, the emotional temperature is higher because Anand is no outsider (like, say, the protagonist of Swades). He knows what these kids are like, how deep their dreams are, because he was one of them. He was thrown out of the BHU library where he wanted to read foreign mathematics journals. He couldn’t go to Cambridge because he couldn’t afford it, and later, he took to selling papad on the streets to make money. He meets Lallan when his bicycle is knocked off the road by the latter’s car, but instead of confronting Lallan, he begins to pick up the notes and coins that have spilled on the roadside. That comes first. The scene (and Hrithik’s unwavering concentration on the money) makes us feel Anand’s abject poverty that no lines of dialogue could."
Filmzoned by
Apan Singhal
"Rao isn’t telling. If there are Big Thesis Points embedded in Dhobi Ghat, she’s leaving the unearthing to others. And like Sofia Coppola, she’s more interested in sweating the small stuff, sculpting the here and now. She’s not after what happens but how – the grad.. moreual unfolding of scenelets in a manner that’s sensual and rarely sentimental. There’s so much mood in the frames, so much compassion and feeling, that the awkward plot points are swept away like Yasmin’s writings on the sands of the sea."
Filmzoned by
Apan Singhal
Netflix is Filmzoned · 25 Jul
Filmzoned by
Apan Singhal
Remember this scene from Rangeela?
Filmzoned by
Apan Singhal
This one is from Student of the year!
Filmzoned by
Apan Singhal
FOLLOWING

English Translation:
Written on the creases,
Are a thousand changing sides,

Like on a slow flame,
Dissolving rains,
Mois.. moret eyes full of,
The intoxication of nights past.

Moist eyes full

Like on a slow flame,
Moist eyes full of,
The intoxication of nights past.

How do I spend this beloved afternoon,
Why does the night not come?

How do I,
Spend my,
Afternoon, my beloved,
How I do I spend it.

He doesn't speak to me,
The heartbreaker,
Every moment taken, I count,
I lose.

Desires have,
Fallen in love with arguments.

Holding on to you,
Waiting.

How do I spend this afternoon beloved,
Why does the night not come.

How do I,
Spend my,
Afternoon, my beloved,
How I do I spend it.

He doesn't speak to me,
The heartbreaker,
Every moment taken, I count,
I lose.

It feels like eons,
Each and every moment,
The sound of footsteps has made,
Living an arduous thing.

Moist eyes full of,
The intoxication of nights past.

Moist eyes show it.

Lyrics:
Salvaton pe likhi
Karvatien ek hazaar
Dheemi aanch pe jaise
ghulta rahe malhaar
Moondi aankhon mein mehka sa
Beeti ra.. moreat ka yeh khumaar
Moondi aankhon mein mehka

Du ru ru ru
Dheemi aanch pe jaise
Moondi aankhon mein mehka
Beeti raat ka khumaar

Kaise kaatoon bairi dopahari
Aave na kyun raina
Kaise main
Kaatoon re
Dopahari... bairi
Kaise main kaatoon re

Mose na bole re
harjaayee
Pal chin ginn gin
Haaroon main
Hasraton ne kiya
Rukhsaton se qaraar
Thaame aanchal tera
Karti hai intezaar

Kaise kaatoon bairi dopahari
Aave na kyun raina
Kaise main
Kaatoon re
Dopahari... bairi
Kaise main kaatoon re
Mose na bole re
harjaayee
Pal chin ginn gin
Haaroon main

Mooddaton sa lage/chale
Har ik lamha
Aanhaton ne kiyaa hai
Jeena bhi dushwaar

Moondi aankhon mein mehka sa
Beeti raat ka yeh khumaar

Moondi aankhon mein mehka

Such a heartfelt interview of his, after a long time. Thoughtful, reflective and unlike any of typical film promotional PR stuff.

Had absolutely loved Barfi, but this seems way more audacious. Totally rooting for it. 😍

This is really really good! Looking forward to see more work from the artist.

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