"Of course, it’s a small matter that Ranbir Kapoor’s nuanced performance was one of the most extraordinary portrayals of a leading character well in touch with his feminine side. Look at the film again — look at his babydoll dance; his bag when he’s at the airport (did anyone even notice?); his gait at Alizeh’s wedding; the mehendi on his hands; his pretending to be a bride; his easy tears; his non-embrace of a macho indifference in the face of tumult. Karan Johar’s obvious influence is strong here, but it’s easy to miss when you’re looking for ways to rip apart a Bollywood love fantasy. In fact, it has been reduced to characterising Ayan as a man-child. Five years ago we would have said 'kitna rota hai, ladki ke jaise'. Irony?"