"The way we speak in real life, that’s conversation. The way people in a certain kind of movie speak, that’s dialogue. Both kinds of exchange are present in Karan Johar’s Ae Dil Hai Mushil. The film opens with a gun-to-the-head dedication to the army that doesn’t feel all that misplaced. Romance, after all, is its own kind of war. Borders are breached. The heart mounts a defence. There’s the scoping out of territory, which is what the Urdu-couplet-spouting poet Saba does with wounded-in-love Ayan."